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Posted

A few days ago I had this cranking while I made hamburgers for the fam. 

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I like a lot of songs on this album, particularly "Don't Let it Show" and this one from a 1977 music video:

Then yesterday I was in a mood for Count Basie trios--Basie, Ray Brown, and Louie Bellson. Can't do much better than that for a swing rhythm section:

81-zPvpgAuL._SY355_.jpg  count_basie_for_the_second_time.jpg

They were recorded in 1975 and 1976, but the second one wasn't released until 1983 even though both are equally good.

 

Posted (edited)

Capitol and Brian WIlson (with Mike Love and Al Jardine as well) managed to put together the essence of what Brian was aiming for in 1967. I also saw Brian in concert on the Smile tour in 2005 with the Wondermints and it impressed the hell out of me.... 

But there's a valuable "time machine" effect with this one because it's put together from the studio work in 1966-67 for the album that never materialized at the time.

The fidelity is phenomenal on the heavy vinyl 2 LP set, and you'd have to hear it to believe how dimensional a mono album can sound. Love it! The 4th side has some outtakes and stereo mixes of a few of the songs. 

 

 

Edited by JohnnyB
  • Like 1
Posted

Nick Lowe is one of those musicians that I always enjoy but rarely comes to my mind.  Spotify served it up.  Nick Lowe and Los Straitjackets!?  Hot damn.

  • 1 month later...
Posted (edited)

I just gave this a spin a few days ago.

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This record came out the year I graduated from high school. I had a classical background and really liked jazz, but my exposure to rock was mostly top 40 radio followed by FM album rock. I seldom bought rock albums. Later in 1975, I was at my girlfriend's house and she put on Who's Next. From the opening synth pattern on Baba O'Riley, I was hooked and listened to the entire album straight through. And now, 42 years later it still has the magic. The album is amazing on so many levels--the creativity (the first or one of the first to combine programmed synth with a guitar-based rock band), the songwriting, Roger Daltrey's lead vocals, their vocal harmonies, Moon's drumming, Townsend's buzz-saw distortion, Ox's melodic bass--what's not to like?

So anyway, although I spun it 4 days ago, I'm still riding high on that play. I even watched an old episode of CSI: Miami just to hear "Won't Get Fooled Again." I think it's the first time I've played that album through my panel speakers, which really show off the power and precision of their vocal harmonies, particularly on "Behind Blue Eyes."

 

Edited by JohnnyB
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