Hamer Time

They should at least give respect to the "peace" symbol and what it actually is. "Gerald Holtom, a conscientious objector who had worked on a farm in Norfolk during the Second World War, explained that the symbol incorporated the semaphore letters N(uclear) and D(isarmament)." "One of the most widely known symbols in the world, in Britain it is recognised as standing for nuclear disarmament – and in particular as the logo of the Campaign for Nuclear Disarmament (CND). In the United States and much of the rest of the world it is known more broadly as the peace symbol. It was designed in 1958 by Gerald Holtom, a professional designer and artist and a graduate of the Royal College of Arts. He showed his preliminary sketches to a small group of people in the Peace News office in North London and to the Direct Action Committee Against Nuclear War, one of several smaller organisations that came together to set up CND." http://www.cnduk.org/information/info-sheets/item/435-the-cnd-symbol Are Gibson paying Gerald for use of his design, I doubt it. Should be called the "Gerald Holtom" model.

A Godin LG I got for tree-fiddy, with hard case. Put some Peter Florance Voodoo P90's in it, Schaller locking tuners, string saver saddles. Best playing neck ever, and I've owned Hamers, Gibo's, Rics, and Fenders. Even at retail this guitar is well worth the price. http://i.ebayimg.com/t/GODIN-LG-P90-ELECTRIC-GUITAR-MAHOGANY-NECK-BODY-TRANS-RED-SEYMOUR-DUNCAN-P90-/00/s/NzYwWDExNDA=/z/eW4AAMXQILVSKOQC/$T2eC16JHJGMFFpriykvwBSKOQBszrw~~60_35.JPG

Late to the party as usual, damn, oh well, happy birthday one and all.

Didn't Rush do that already?

Here is his some mics and a tape recorder... http://www.fooarchive.com/features/electronicmusician11.htm Not exactly going back to basics. If not using Pro-Tools is going back to basics then the guy is clueless. A lot of high end studios record to tape then dump to pro-tools for editing and mixing. It just makes the engineers job easier not the bands, makes no difference to the band really.

I never understood why people are so down on Ringo's drumming. They were mostly a vocal band, not a guitar band, or even a rock band. The drums were for keeping time, not playing flash fills. He played what was required, which to me shows more talent than showing off. The Beatles were not the Who, or Zeppelin. A Hard Day's Night with Moon drumming? ROTF! Ringo wasn't doofy and annoying either, he was the most grounded, ego-less, and unaffected of all the Beatles.

I'd be happy enough with my import Hamer XT Sunburst with a SD P90 stack in the bridge. Cost me less then tree-fiddy including the SD, and I'm pretty sure still worth less than that. Plays fine, it's light, and it sounds far better than it should. (It's missing a string, needs a new set, and haven't had chance to change them yet)

I use D'Addario light jazz 12-52 on my '94 Daytona with no problems. I did have it set up, and plek'd, professionally when I first bought it though. My trem is blocked also.

1976-80, Unknown name combo about the size of a cereal box (first amp) HH 212 100w combo (way too big got rid) 1980's Crate combo. I think it was 30w, in the 'crate' wooden box. VOX AC15 Orange 50w head w/homemade 4x12 cab, Celestions. 1990's Trace Elliot AH100 bass head, Peavey Bass FEX, w/Hartke 2x10 and 1x18 cabs Fender Bassman head (used sometimes with the TE biamped) Ampeg 8x10 used with TE occasionally in studio. That's all I remember, haven't played live or owned/used a real amp for years. Guitar Rig, Ampeg SVX, PC, TOA D-4 mixer, and good headphones these days lol.

I have no probs getting in perfect tune, never even thought about the ratio really. Using a Peterson StroboSoft to tune with no problems.

And I believe they offer a staggered set as well which I have read work well with Strat style guitars. Sperzel have staggered set for Strats also, came standard on Daytonas.

I don't 'feel' a difference either, there is far more I notice between gits playability than the fretboard. I do hear the sound though... For example I have an Ebony fretboard Ovation, my Daytona is Maple and my XT Sunburst is Rosewood. The Ebony adds crispness and snap to the otherwise bass heavy 'O' 1778T. The Maple makes my Daytona much brighter than Rose would (rosewood lol) which is what I wanted from a 'Strat' style git. And the Rosewood on my Seymour Duncan P90 loaded XT helps it sound warm, fat and vintage, like it should. So I have no favourite fretboard really, just the right one for my needs I guess.

Nice one, Ian Dury is a legend...

Mike Evans of The Action, (60's 'Mod' band) who just died recently RIP... (An excellent soulful Rickenbacker band) Now go play it hehe... http://www.youtube.com/watch?v=YRPqucp2r5o